writes under the pen name Hwang JiWoo. He is professor and chair of the Department of Playwriting at the Korean National University of Arts. He led a new wave of deconstructionist poetry in the 1980s, which was part of the new "rhetoric of resistance" in Korean literature. His subsequent work is described as embodying a native spirit, with its Korean Zen Buddhist traditions interwoven with paradox, vitality and wit. He is the author of six poetry collections, among them Even the Birds Leave the Land (1983), A Lotus in the Crab's Eye (199), I'll Sit Alone in a Darkened Pub (1998); four plays, including A Diary on the Fat Sofa (staged in 1994), Thirty Days in Prison, staged in 1999), and Bride May (2000). Hwang Jaewoo studied aesthetics and art history at Seoul National University. His education was interrupted by a forced enlistment in the army following his imprisonment for student activism against the military dictatorship. His work has received numerous national awards, including the Contemporary Literature Prize of 1991 and the DaeSan Foundation Prize in 1999. Recently, he published a play, A Materialistic Man (2003), and a translation of his poetry, Even Birds Leave the World (trans. Christopher Merrill and Won-Chung Kim), is forthcoming from White Pine Press.