Giovanna RIVERO

Giovanna RIVERO
  • Americas
  • Latin America and the Caribbean
  • Americas
  • Latin America and the Caribbean
  • South America
  • Bolivia
  • Americas
  • Latin America and the Caribbean
  • South America
  • Americas
Spanish

Giovanna RIVERO (fiction writer, journalist; b. 1972, Bolivia) teaches semiotics and scriptwriting at the Private University of Santa Cruz de la Sierra, her alma mater. She has published four short story collections: Naming the Echo (1994), The Beasts (1997), The Owner of our Dreams (2002) and To Feel the Dark (2002). The Beasts won the 1997 Santa Cruz Municipal Prize for Literature. Her short fiction has been anthologized in Antología del Cuento Feminino Boliviano (1997), Antología del Cuento Erótico Boliviano (2000), Voces de la Otra Orilla (2000), and The Fat Man from La Paz: Contemporary Fiction from Bolivia (2000). In 1993 she received her first two literary awards; her 1995 essay, Latinoamérica: Pequeña Hermana Tierra, was selected for the Youth World Forum in Jerusalem. Her most recent work is The Chameleons (2002), an erotic novel. Ms. Rivero is a regular contributor to local and national newspapers. She is participating courtesy of the University of Iowa.

Happening Now

  • In a recent Haaretz piece, Odeh Bisharat describes the efforts of the Arab-Jewish solidarity movement Standing Together to collect food for needy Gazans as well as build a long-term political coalition.

  • Among the upcoming titles at the lively regional CEEOL Press is 1945 and Other Stories., an English translation of Gábor Szántó’s Hungarian original.

  • An excerpt from Lidija Dimkovska’s most recent novel [Personal Identity Number] appears in the July 2024 issue of World Literature Today.

  • The Spring 2024 issue of the Michigan Quarterly Review features an excerpt from Amira-Géhanne Khalfallah’s new novel Onboard the Amsterdam or, the Last Voyage of Ibn Battûta,  surveying the burning topics of migrancy, radicalization, and exile. 
     

  • In an opinion piece for NYTimes, Veronica Raimo plumbs the (shallow) depths of Italian women’s media representation.

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