TOLEDO, Joel

TOLEDO, Joel
  • Asia
  • South-Eastern Asia
  • Asia
  • South-Eastern Asia
  • Philippines
  • Asia
Filipino

Joel TOLEDO (poet, fiction writer, nonfiction writer; Philippines) is the literary editor at The Philippine Free Press and a professor of literature at Miriam College. His reviews and columns have been featured in newspapers and magazines including The Philippine Star and The Manila Times; his creative work has appeared, among other places, in Rogue Poetry Review, Washington Square, Sunday Times Magazine, and P.E.N. 50th Anniversary Anthology of Poetry in English.  He is the author of four books of poetry, including Chiaroscuro (2008) and The Long Lost Startle (2009), the children's book Pedro and the Lifeforce (1997), and of the screenplays for Todo Todo Teros and Philippine Bliss, screened at the 2007 Rotterdam Film Festival. Among his awards is the 2005 Don Carlos Palanca Memorial Award for Literature for the collection What Little I Know of Luminosity, while Chiaroscuro was a finalist for the 2008 Philippines National Book Award for Poetry. A fifth poetry collection is due out this year. He participates courtesy of the Bureau of Educational and Cultural Affairs at the U.S. Department of State.

Happening Now

  • In a recent Haaretz piece, Odeh Bisharat describes the efforts of the Arab-Jewish solidarity movement Standing Together to collect food for needy Gazans as well as build a long-term political coalition.

  • Among the upcoming titles at the lively regional CEEOL Press is 1945 and Other Stories., an English translation of Gábor Szántó’s Hungarian original.

  • An excerpt from Lidija Dimkovska’s most recent novel [Personal Identity Number] appears in the July 2024 issue of World Literature Today.

  • The Spring 2024 issue of the Michigan Quarterly Review features an excerpt from Amira-Géhanne Khalfallah’s new novel Onboard the Amsterdam or, the Last Voyage of Ibn Battûta,  surveying the burning topics of migrancy, radicalization, and exile. 
     

  • In an opinion piece for NYTimes, Veronica Raimo plumbs the (shallow) depths of Italian women’s media representation.

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