NAGAE Yūki 永方佑樹 (poet, performance artist; Japan) received the 2012 Poetry and Thought Newcomer’s Award; her 2019 poetry collection Fuzai toshi [Absentee Cities] was awarded the Rekitei Prize. Her most recent project is GeoPossession, in which 3D audio recordings of writers reading from their work in specific locations around Tokyo are made available to listeners at those locations. She has performed at the Saint-Remi Museum in Reims, France, and across Japan, and is a lecturer at Nagoya University of the Arts. Her participation is made possible by the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
Jamie Marina LAU 劉劍冰 (fiction, poetry, performance; Australia) has published Pink Mountain on Locust Island (2018) and Gunk Baby (2021), which garnered her a number of awards; her stories, nonfiction and poetry have appeared in Meanjin, Cordite Poetry Review, Voiceworks and elsewhere. She also works with digital arts and music/sound composition. Her residency is supported by the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
Kevin CHEN 陳思宏 (novelist; Taiwan) started his career as a stage and screen actor. He is also the author of ten novels and short story collections, which have garnered him several literary awards in Taiwan. Ghost Town, in Darryl Sterk’s translation, among Library Journal’s Best Books of World Literature 2022, was longlisted for PEN’s 2023 Translation Prize and will be translated into 11 languages. Chen lives in Berlin, where he long was foreign correspondent for Taiwanese tv. His participation was made possible by the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
Soonest NATHANIEL (poet, spoken-word artist; Nigeria) is the author of the mixed-genre volume Burying the Ghosts of Dead Narratives (2022) and the poetry collection Teaching Father How to Impregnate Women (2018). The winner of the 2017 RL Poetry Award and many Nigerian poetry and spoken-word competitions, he was named a Langston Hughes Fellow at the Palm Beach Festival and served as the Poet Laureate for the Korea Nigeria Poetry Festival; his poems appear in Nigerian, US and British magazines. He participates thanks to a grant from the Bureau of Educational and Cultural Affairs at the US Department of State.
Aigerim TAZHI Айгерим Тажи (poet; Kazakhstan) is the author of the volumes of poetry БОГ-О-СЛОВ [THEO-LOG-IAN] and Paper-Thin Skin/Бумажная кожа (2019), published in a bilingual edition by Zephyr Press with support by an NEA Translation Fellowship, and appeared among Year’s Most Notable Translations by World Literature Today. Her poems have been widely published in Europe, Asia, and the U.S., translated into many languages, and received international literary prizes. She is the author of projects at the crossroads of poetry and other forms of art. Her participation was made possible by the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
MOON Bo Young 문보영 (poet, novelist, essayist; South Korea) made her debut in 2016, winning the Joongang New Literary Award and the Kim Soo Young Prize for her first poetry collection, translated into English in 2021 as Pillar of Books. She has since published two more volumes of poetry and several volumes of fiction and essays; beyond print, she distributes her writing through other media—snail mail, radio, phone, and more. Currently, she is teaching at the Seoul Arts University. Her participation was made possible by a grant from Arts Council Korea (ARKO).
Busisiwe MAHLANGU (poet, playwright, fiction writer; South Africa) is the author of Surviving Loss, a 2018 poetry collection also adapted for theater. She was awarded the inaugural South Africa National Poetry Prize, has had work longlisted for the Sol Plaatje European Union Poetry Award, and is published in Kalahari, Atlanta Review, 20.35 Africa, Best ‘New’ African Poets, and elsewhere. In 2022, she was a fellow at the Johannesburg Institute for Advanced Study. Her participation is made possible by the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
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